I’d like to think that I’m keeping this blog in balance: reading, writing, running and yeah, riding (subway). Because five days a week I ride to work; that is when I write, often about running, but equally about my other practices. Because my message is embedded there, in these ways of being.
Recently, I received the official publication of the Boston Marathon 2011: Racer’s Record Book. The race that I’d trained for but didn’t run. I was a little surprised to see that of the 26,907 runners who entered, only 1,719 were men in my age group, 55-59. That’s 6.4 percent. And of those men who but did not race I was joined by 156 others, or 9.1 percent, of the group members who made it there for the 115th running of the world’s most famous race. Certainly it is a young person’s game. It’s not as though a 56-year-old man is going to win. As if winning counted.
Running for Your Life: The Play’s The Thing
Four shorts, loosely classified one acts, heavy and dark and deep and funny, hilarious, East Side but the bearable type with an after-theater bar where the cast will stop by for a drink, well at least some did on Friday night (Aug. 5), except for the underage girl actors (Avid Theatergoer and Family Friend: “Has anyone told you, well, I’m sure they do, but has anyone told you that you look just like Faye Dunaway? UGA: “Who’s Faye Dunaway?”) in “Carrie and Francine” http://bit.ly/p4LWwv, the winning playwright of this summer production, 17-year-old Ruby Rae Spiegel, chosen from an open competition against young and experienced alike, trenchant and wise beyond her years, and introducing Lydia Weintraub (she of the Faye Dunaway line and the delightful, talented daughter of good friends of ours) and equally gifted pal Louise Sullivan to audiences everywhere, see it if you can, it rhymes: Series A through Labor Day, you won’t be sorry, and you may even be inspired to write, because these plays are being staged as part of a one-act competition: an East Side Manhattan Fringe, Check out “Summer Shorts 5” at 59E59 Theaters http://bit.ly/dblPp5.
Running for Your Life: Summer Reading, Part II
So You Want to Live in Park Slope Dept.
Today (Aug. 3) I am interrupted on my final kick of a 7-miler, forced to stop at an intersection in Central Slope. In 85-degree heat a man in a heavy orange vest (sensible shoes, shorts and sandals) is walking ahead of a young woman pushing a cart full of food from the Park Slope Food Co-op http://bit.ly/rfTUOX, both of them blocking a turning Crate & Barrel delivery truck, the target of disapproving glares from some patrons at the outdoor seating area of Connecticut Muffin.
Today (Aug. 3) I am interrupted on my final kick of a 7-miler, forced to stop at an intersection in Central Slope. In 85-degree heat a man in a heavy orange vest (sensible shoes, shorts and sandals) is walking ahead of a young woman pushing a cart full of food from the Park Slope Food Co-op http://bit.ly/rfTUOX, both of them blocking a turning Crate & Barrel delivery truck, the target of disapproving glares from some patrons at the outdoor seating area of Connecticut Muffin.
Running for Your Life: Dog Day Delights
“When did it turn?” I’m talking to my friend D at the annual memorial barbecue for the great and underappreciated cartoonist/filmmaker and my very great friend, Mickey Siporin http://bit.ly/qG4Fp4, now in his early 70s, he knew Mick when they were art student freshman college roommates in Carbondale, Ill. D grew up in The Village, in the heyday of The Cedar Tavern, Frank O’Hara’s “Second Avenue,” Jackson Pollack, Willem de Kooning, Joan Mitchell, Jack Kerouac, Allen Ginsberg. If aspiring novelist Gil Pender (Midnight in Paris) saw Paris in the Twenties as his ideal place and time for artistic imagination, then The Village in the Fifties and early Sixties works for me. D was in his twenties then.
So I ask him, “When did it turn?”
“When I saw my first bottle of economy-size Coke,” D says.
“Wow!” I say, ‘that’s –”
“You’re a writer. Feel free to use that.”
So I ask him, “When did it turn?”
“When I saw my first bottle of economy-size Coke,” D says.
“Wow!” I say, ‘that’s –”
“You’re a writer. Feel free to use that.”
Running for Your Life: Canada!
Sign in Hepworth, Ont., ten minutes drive from my parents’ year-round home at Sauble Beach, often voted as the province’s best beach, seven miles of brown sugar-pack sand, its texture ideal in summer for sculpture, our favorites on Friday, July 22, is Ella’s Mermaid with sea turtle neighbor and a smooth-skinned nude sand goddess torso done by a blond-haired, blue-eyed male sculptor in his early thirties, even feathered the ribs under her perky breasts, head slightly turned away, looking toward the entrance, a flirt, thinking a brown sexpot, say Brad SandPit, will arrive anytime now, and yes, it reminds of Winterbourne, a blonde beauty herself, but oh so real, and oh so long ago, who has chosen me, a boy three years her elder, the privilege of putting tanning lotion on her back and thighs, my homeboys watching as I slather the lotion on my hands then press them down on Winterbourne’s shapely back, moving up and around when suddenly she shrieks and darts out of my grasp like a fish, shouting, “L! What are you doing? That really hurts! . . . Let me see your hands.” Well, yes, they were full of sand, and her back where I’d massaged her is beet red from the coarse rub she’d suffered from the boy she’d no longer have anything to do with; our friend the sculptor, though, is much older than I was then, and by the looks of him, keen to reel in some lovin’ of his own, perhaps one of the Winterbourne-like girls who are standing around, chatting him up, struck by the sly wonder of the sand goddess, maybe, one asks, Will you do a sculpture of me? Yes, he says, I will. But please, first, come to my place, I’ll need to make a cast. That is what I did to make this one. It won’t take but a minute . . . “Save Our Jails,” the hand-written sign says. “Save Our Jails.”
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