What is it about a dog? What New Yorker writer Adam Gopnik found http://nyr.kr/n2ITT7, that dogs are man’s best friend in large part because life on the farm is better than life in the woods.
Think pioneer days – Kansas, Missouri, Manitoba – scads more wolves than dogs. What was to stop them (the dogs) from running off and joining a pack of wolves? What Farley Mowat, the beloved Canadian writer and conservationist, author of “Never Cry Wolf” http://amzn.to/ofrush (it may not be “true,” exactly, the wolf experts say, but what the hey, it’s a great yarn) brings alive.
Catch a glimpse into the eyes of the stubborn breeds, top of the list, Redbone Coonhounds, that’s right, Thurb, and see into a wolf’s soul. Send a shiver down your spine.
Running for Your Life: The Fall Ahead
So You Want to Live in Park Slope Dept.
Walking Prospect Park’s Picnic House path at the Nethermead corridor, arrayed along the northern side, through chain links of the unscaleable fence are a queue of mothers pulling like galley slaves at rower rings attached to high tension rubber bands affixed to the fence, their respective babies (I’m guessing here) in strollers facing them, leaving just enough room for an elder women walking group to march through, heading toward to M and me, clapping and urging on the mothers: “Go! Girls, go! Keep it up!” One mother smiles. Not ironically.
Walking Prospect Park’s Picnic House path at the Nethermead corridor, arrayed along the northern side, through chain links of the unscaleable fence are a queue of mothers pulling like galley slaves at rower rings attached to high tension rubber bands affixed to the fence, their respective babies (I’m guessing here) in strollers facing them, leaving just enough room for an elder women walking group to march through, heading toward to M and me, clapping and urging on the mothers: “Go! Girls, go! Keep it up!” One mother smiles. Not ironically.
Running for Your Life: Fire Island, Late Summer
Last weekend in Dunewood, Fire Island, C, who I never did see so I have come to think of her as Goldilocks, slept in G’s bed; G doing her first shift as hostess at Le Dock in Fair Harbor, FI, the next town over, the place with the grocery that sells a boxlet of dryish blueberries for the equivalent of a quarter apiece, G (our host’s daughter) not getting home until sixish in the morning because she too had slept over at a friend’s, Goldilocks gone in the morning before M and I get ourselves together after having tied one on (What I say to M as we make our way to FH from D when we arrived by ferry on the bay side where the waters are receding, “Let’s tide one on!”); Goldilocks is off to the wedding, what I first hear as her uncle getting married that I later learn is less wrong than incomplete, the reason she couldn’t sleep in her own bed the previous night because her uncle’s family and friends had taken up residence there for the weekend, but then, much later, when we are sunbathing on the ocean side, I learn that it’s G’s (Goldilocks’) uncles who are getting married. Her uncles taking advangage of the Great Cuomo Summer Triumph, getting gay married.
Running for Your Life: The Movie, Continued
We pick up in hospital, with establishing shot: L is feeble, his leg raised high and strapped in some contraption so that it doesn’t rest on bed, or even have sheets drape on it. It just hangs there in air, lathered in white goop, monstrously big thing. He is surrounded by medicine drip bags of many types that are needle-syringed in multiple places on his body.
Closeup. He is with the nurse, but we can’t hear, with benefit of subtitles, we read, “Where’s Sam?” Nurse touches him in a motherly way. “He’s gone. This morning.” L exhales, head back heavily on pillow. “Gone. Where?” We see a touch more of the hardened look that we saw at the opening.
Closeup. He is with the nurse, but we can’t hear, with benefit of subtitles, we read, “Where’s Sam?” Nurse touches him in a motherly way. “He’s gone. This morning.” L exhales, head back heavily on pillow. “Gone. Where?” We see a touch more of the hardened look that we saw at the opening.
Running for Your Life: The Movie
On black screen the sound of hospital machinery, beeps and whooshes and splunks. As if from a deep murky well, a face appears. An old man staring down, noise of a buzzer, then immediately a female voice, “Yes, Sam?” “Get in here quick; he’s stopped breathing.” Then, a young woman in nurse cap replaces old man’s face, she too staring down, noisily fiddles with something and then as loud as anything yet we hear the sound of a heartbeat, then the gasp of a single breath. Then another.
Fade. Slowly developing image of young man in ill-fitting hospital gown. Scraggly beard. He is at the window and places hand on glass, makes for a palm print on the icy pane. Nurse comes in and calls his name. “Larry, over here, time to take your pills.” L looks up and into the glass, starts a bit, as if for the first time he sees himself as he is, wasting away, as if he has been a POW in the South Pacific, hint of being hardened to his fate but then something sad comes to mind, and he bows his head, body shuddering, weeping.
Fade. Slowly developing image of young man in ill-fitting hospital gown. Scraggly beard. He is at the window and places hand on glass, makes for a palm print on the icy pane. Nurse comes in and calls his name. “Larry, over here, time to take your pills.” L looks up and into the glass, starts a bit, as if for the first time he sees himself as he is, wasting away, as if he has been a POW in the South Pacific, hint of being hardened to his fate but then something sad comes to mind, and he bows his head, body shuddering, weeping.
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