Running for Your Life: Notre Dame Mood

There is a power, a soul, that one feels in sacred spaces. What Yeats writes in “Prayer for My Daughter”: To be “rooted in one dear perpetual place.” Why tears flowed when Notre Dame was burning, when the first images came into view.

Just before M and I left for a visit to Paris last October, I found a book on the street. Judging from its condition, “Notre Dame of Paris” by Allan Temko (1924-2006), published by Time Inc. in 1952, had spent a lot of time in someone’s basement. It’s brittle cover sheered off in my hand when I cracked the book open. There is still a musty smell to it.

But Temko, whose ardor for the cathedral never lags, thrilled me with his writing, a portion of which is excerpted  below.  In fact, it reminded me of John Ruskin’s “Stones of Venice.”

During these days of pain and loss in the aftermath of the fire’s damage, find and buy a copy of Temko’s book. There is so much to admire here, so much for those in need of healing following this painful event, to wit:

“The first Parisians settled in the Ile de France, bringing with them their gods and their arts, for the two were inseparable. On a bend in the Seine they found an island naturally suited for defense, with a low hill on its eastern point; and since the summits of the hills were sacred, they built a temple of branches and leaves at the crest and installed their gods on Ile-de-la-Cite. Paris then could not have look anything like Paris today, but the gods bear some resemblance.

Men adored a stone, a spring, a green tree. They sacrificed to the sun and the moon and to the brighter stars. They dedicated altars to beasts and reptiles and various birds – to the hawk, the serpent, the hound and the bear. They worshipped a powerful wind which sometimes swept over the uncultivated fields. There was a god in the white waterfall, in the solemn lakes, in every well, in caverns, or where paths met, on hilltops. The gods were numerous, fierce, jealous, and as complicated or uncomplicated as the humans who enshrined them; but among the gods was a mother deity, a neolithic madonna who occasionally held a child in her arms, and both mother and child have had a certain following in France to this day.”

Next: Running for Your Life: Notes from “The Long Run”

Running for Your Life: "Media" and the Election

OK, like it or not, the run-up to the great US Vote is in full swing.

Everyone is staking out a position.

Here's one as a career journalist, a survivor in the media profession. Back when "media" hadn't been drained of its meaning. Before the juggernaut of social "media" revolutionized the way people consume news:

I would like to be a part of an interest group that would support a candidate who would pledge to only discuss matters relating to social media by agreeing to acknowledge the bastardization of the term "media" to describe what constitutes what most people read, share and endlessly talk about.

I would support the first presidential candidate -- from any party, or independent -- who would, when talking about what people call "social media," rephrase it to say "social propaganda."

That train may have left the station. But with all the non-news about to find its way into people's brains and run throughout their conversation over the next many months (10 months till the Iowa Caucus!), I see it as the kind of noble, moral step that the right candidate would get behind.

Next: Running for Your Life: Pittsburgh 2019


Running for Your Life: The News

Here’s a gruesome thought that bears repeating.:

When news is boiled down to the tao of profits or what accounts for the explanation of events in an unprincipled state like Russia, the end result is propaganda.

Money paves the race to the bottom; a sad loser-strewn skid row is the route to the top.

Does news that’s regulated by a “fairness doctrine” find any traction?

Or have the competing sides polluted, drained the merit out of the nonpartisan objective of news as an objective vehicle in the never-ending quest for a secular truth?

Perhaps Clive James said it best in his book, “Cultural Amnesia:”

“Truly unprincipled states never blush.”

Next: Running for Your Life: Twenty-Plus Miler

Running for Your Life: Poem, a Woman’s View

Seldom do I come upon a piece of writing that renders what it means to be female in a male world as poignantly, elegantly, and as apparently nonjudgmental as this … Enjoy.

ON THE PERSONIFICAITON OF CUMBERSOME OBJECTS
By Stephanie Bishop, London Review of Books, Feb. 7. 2019

Three men have come to our house in order to remove the
furniture. They can carry two chairs apiece, and while one
appears to spin a coffee table on his index finger, another
heaves a sofa up with a single hand, so that it can stand at an
angle while his comrade at the other end adjusts his grip. ‘In
India,’ I tell them, ‘I once saw a man with a fridge strapped to
his back climbing up a steep hill.’ They laugh because they
think I am making a joke, ‘Good one love,’ they say, because I
am a woman, the only woman in the house. Or so I think, until
I hear them grunting and huffing as they tip the wide antique
wardrobe onto its side and try to ease it out the bedroom door.
It is a small room, the wardrobe was here before me, I cannot
tell them how it ever fitted though the door, or if it does. I
watch, anxious that they don’t drop it or scratch the paintwork.
Here she goes. Watch her there. That’s the girl, they say. Easy
does her. The wardrobe, I realise, is also a woman. So, it turns
out, is the king-size bed base, the long dining table, and the
cumbersome frame of the trampoline. Why are they women?
Are they rendered female because the men feel they need to
be extra careful with these objects, even though the said
objects are large and heavy? Or do they identify these objects
as female because they are large and heavy – it’s hard to know
how to grip them, what part to grip, and so require thoughtful
handling when moving through a narrow passage? Because
the men have been charged with ensuring the survival of these
objects? Personified as female because they are dependent on
these men moving them, because they have not the agency to
move themselves – into the truck and then off to their new
home. Or because they are unpredictable, depending on how
they are handled, and, if dealt with badly, might harm a man
– crush his misplaced hand, for instance. Maybe these objects
are rendered female because the men don’t really know what
to do with them. They circle each one for a while and talk
logistics. Then they pick her up and start to grunt. For each
cumbersome female object there are three men attached to it.
They want each female object to be safe and well cared for, but
each one makes them uncomfortable. Is the reward worth the
effort? Hard to say. They sweat a lot, but still, they persist with
doing their duty. I would like, next time, for my removalists to
come dressed in white lab coats, the kind Dior insisted his
petit mains wore in the atelier, when thinking in great detail
about the bodies of women and how best to disguise and
enhance them, and who might cover my furniture with white
sheets for discretion before lifting each girl gently onto a
wheeled trolley, the way I was once wheeled on a gurney from
this same house at the very peak of my womanliness, a long
time ago. They were very gentle, those ambulance men, and
very quiet. It was, after all, the middle of the night. But as they
rolled me carefully down the garden path and lifted me over
the step by the front gate, I heard them say, ‘Easy does her,
watch her there,’ and to this day I do not know if they were
speaking of me, or of the cumbersome gurney on which I lay.

Next: Running for Your Life: Twenty-Two Miler !!

Running for Your Life: The Day the Earth Died

OK, I'm on a reading roll.

Books, of course, as in "Killing Commendatore," a novel by Haruki Murakami, which I plan to write about in my next blog post.

In the meantime, though, here's a bit of breaking news. I must confess to being inured to political rants and conspiracy nuts, what Steve Coll says in the current newsstand New Yorker (April 8), amounts to too much of the "personal asides from prime-time personalities and round-tables of bombast mongers." (Don't expect to see Steve Coll on a cable news panel anytime soon ....)

The breaking news: "The Day the Earth Died" by Douglas Preston, that literally earns this quote from Robert DePalma, paleontologist: "It's like finding the Holy Grail clutched in the bony fingers of Jimmy Hoffa, sitting on top of the Lost Ark."

Don't miss it; it is one ripping read.

Next: Running for Your Life Reading “Commendatore